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HUDSON RIVER PARK’S RIVERROCKS 2012: Dan Deacon + John Maus
TICKETS ARE FREE!
BY CALLING (for more info): 212-627-2121
Thursday, July 12, 2012 6:00PM
NYC’s ANNUAL FREE SUMMER MUSIC EVENT!
The art made by Baltimore artist Dan Deacon is about community and how to organize and inspire it. From founding a now well-known art collective (Wham City), to organizing and running an annually sold-out DIY music festival (Whartscape), to conceiving, planning and curating a massive 60 person/30 band tour (Baltimore Round Robin Tour), it’s clear to see that community and bringing people together is the major theme of his work. Bromst is the embodiment of that way of thinking.
For the last three years Dan Deacon has been working on Bromst. Fusing together the growing intensity of his live performances with his background in electro-acoustic composition, the outcome is a collection of pieces that are intense and epic and at the same time down to earth and welcoming. Bromst embodies the same energy and excitement as Spiderman of the Rings, however the craftsmanship and composition on Bromst have a wider scope and richer palette.
Unlike the completely electronic Spiderman of the Rings, the instrumentation on Bromst is a mixture of acoustic instruments, mechanical instruments, samples and electronics. The player piano, marimba, glockenspiel, vibraphone, live drums, winds and brass give Bromst a much richer tone than his previous work. The intricate and complex parts, skillfully executed by the performers, are woven together into a rich, dense, noisy dance pop that has become Dan Deacon’s signature sound.
John Maus lives in his birthplace of Austin, Minnesota. Whilst working towards his PhD in Political Science he also composes music that taps into melancholic fantasy and affirms that we are all truly alive. Questing synthesisers, tensely strung bass lines and chasing drum machines provide the perfect backdrop for John’s deeply resonant reverb-drenched vocal.
Born in the decade of synth pop and sharing his birthday with George Frideric Handel, John started making music when Nirvana posters went up on every teenager’s wall. It’s this curious conflux of influences that partially helps to describe John’s music. It’s a world where the Germs jam with Jerry Goldsmith, Cabaret Voltaire relocate to Eternia and Josquin des Prez writes a new score for RoboCop. The confrontation of punk, the fleeting poignancy of 80s movie soundtracks, the insistent pulse of Moroder and the spirituality of Medieval and Baroque music all find salvation in John Maus.
“Doors” open 6:00 PM
NEW LOCATION: At PIER 84
CROSS AT W.44th St
Prohibited on Pier 84
Pets of any kind
Bikes, skateboards and scooters
Glass of any kind
Chairs or beach umbrellas
NOTE: WE MAY USE YOUR IMAGE
Take the A, C, or E to 42nd St. walk west and cross at W.44th St.
Crosstown M42, M50
MORE INFO AT: RiverRocksNYC.com